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Headrest

Work description and interpretation
When the ‘Gestureplace’ was raised onto a platform, I had the idea of placing this cushion to avoid hitting my head against the wall every time I go up to the bowl to prepare the colour. Gradually over the years I think its form might contain the imprint in the exact place where I rest my head every day. I became aware of how this headrest had become the element that helps me maintain the right posture when I have to lower my gaze and focus on the bowl. My body’s way of staying in relation to the space that contains me and the objects I relate to defines a physical position that mirrors a precise mental and psychological behaviour when I prepare the colour. Remaining upright but abandoning my weight downwards leads to an ‘active passivity’, an essential condition in order to repeatedly reproduce the form of inertia required to discern the colour revealed right before my eyes.
Series description and interpretation
Traces
During the trajectory, imprints form and substance accumulates.Moving, acting, crossing through the space, leaving colour, tracing signs: all of this activity leaves parts of itself behind. What remains along the way constitutes something parallel and marks the passage of the experience. I turn back, I see the wake that I have left and I recognise something.

Typology description and interpretation
Gestureplace
Opere che nel loro insieme costituiscono l’opera “Luogogesto”

Sculpture
Opere tridimensionali fatte di vari materiali

Conceptual connections
Data
Author
Morganti, Maria
Creation year
2020
Place
Venice
Techniques and Materials
Stuffed cotton canvas cushion (using the same canvas I paint on)
Typology
Gestureplace
Sculpture
Series
Traces
Archive Number
2020_Luogogesto_Impronte_001
Size
95 x 34 cm
Status Artwork
Created
Fullscreen
headrest-0
Ph. F. Allegretto
headrest-1
Ph. F. Allegretto
headrest-2
Ph. F. Allegretto
headrest-3
Ph. F. Allegretto
headrest-4
Photo M. Magini
headrest-5
Ph. M. Fusco