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Emptying

Series description and interpretation
Emptying
The work is a reproduction on a 1:1 scale of the skeleton of the ‘Gestureplace’ from which all of the painting work has been removed apart from one. It consists of the reproduction of the three archivers: the ‘Diarytheque’, the ‘Infinite Painting’ and the ‘Sedimentary’, which have been emptied of the works, plus a 60x50 cm ‘Sedimentation’.

The maximum compression of the artistic act is concentrated in a single work: the ‘Gestureplace’. Here, inside the ‘Emptying’, this condensation if reproduced in its bare bones, as if it were the skeletal representation of a thought.
On the one hand there is the sense of loss, a distancing, a retrocession that leads to a purged and ghostly vision, while on the other is an empty space, a container that anyone could potentially fill ideally with the stratification of their existence.

Typology description and interpretation
Sculpture
Opere tridimensionali fatte di vari materiali

Data
Author
Morganti, Maria
Creation year
2021
Place
Venice
Techniques and Materials
Three objects steel and wood plus one painting oil on canvas; Edition of ? + 1 ap
Typology
Sculpture
Series
Emptying
Archive Number
2021_Scultura_Svuotamenti_001
Size
Dimensioni ambientali
Status Artwork
To be created
Fullscreen
emptying-0
Simulazione dello "Svuotamento"
Ph. M. Fusco
emptying-1
"Diarythèque"
Ph. F. Allegretto
emptying-2
"Diarythèque"
Ph. F. Allegretto
emptying-3
"Sedimentary"
Ph. F. Allegretto
emptying-4
"Sedimentary"
Ph. F. Allegretto
emptying-5
"Sedimentation" with "Sedimentary"
(This is the image of the Gestureplace", the one of this work will be with no colours dripping)
Ph. F. Allegretto
emptying-6
"Sedimentary"
Ph. F. Allegretto
emptying-7
"Infinite painting"
Ph. F. Allegretto
emptying-8
"Infinite painting"
Ph. F. Allegretto